Directly from Pa Dillinger (Victor Kilian) the public learns about how it was for Lawrence Tierney growing up to become their number one enemy Dillinger (1945)…. Likewise in the mock crime documentary Take the Money and Run (1969) we learn directly from the parents of Virgil Starkwell (Woody Allen) wearing disguises out of embarrassment how it was to raise a son destined to become a legendary criminal.
Hope everyone is dealt a great hand for 2017 and has a New Years Eve as happy as C. C. Baxter and Fran Kubelik did in Billy Wilder’s The Apartment (1960).
In the Stanley Kramer produced and Carl Forman written Home of The Brave (1949)-I cannot stop watching the newly released Blu-ray especially the touching scene between the much underrated actor James Edwards (Pvt. Peter Moss) and Lloyd Bridges (His childhood buddy Finch) on dangerous WWII sentry duty as they dream about opening a 50/50 owned “type of place a guy could bring his wife” after the war where Moss does the cooking and Finch serves the drinks-and to enhance the powerful performances here is the soundtrack from the great Dimitri Tiomkin which features a choral rendition of Sometimes I Feel Like a Motherless Child.
Hope everyone is having a merry Christmas Eve-in the John Ford brilliant The Long Gray Line (1955) – After the death of his lovely wife Mary O’Donnell (played to perfection by Maureen O’Hara) with whom he had many happy years, Sgt. Marty Maher (Tyrone Power) was having a very lonely Christmas Eve in his empty house until the doorbell started ringing and friends starting bringing him holiday joy. This was John Ford’s first venture into cinemascope and being the master of composition he successfully positioned Tyrone Power at the extreme left of the frame to highlight the now emptiness of what had been such a lively kitchen-and then gradually Ford populates the widescreen with the joyous friends lifting Marty’s spirits. No wonder why John Ford won the best director Oscar four times!
In Henry Hathaway’s brilliant Film Noir Kiss of Death (1947)- When convict Nick Blanco (played to perfection by the great Victor Mature) visits his daughters in a church run orphanage, there is a large religious painting on the wall that ingeniously adds an extra spiritual dimension to the moment.
In a brilliant sequence from John Ford’s The Horse Soldiers (1959) children from a confederate military school led by their elderly commandant (Basil Ruysdael) stage a march against John Wayne’s invading Union Cavalry outfit. Nobody gets hurt—but one of them gets spanked. Catch also here the tension between Wayne as the colonel who bears a grudge against doctors and the great William Holden as the dedicated unit surgeon-When are the fisticuffs going to begin?